Eighties teenager Marty McFly is accidentally sent back in time to 1955, inadvertently disrupting his parents' first meeting and attracting his mother's romantic interest. Marty must repair the damage to history by rekindling his parents' romance and - with the help of his eccentric inventor friend Doc Brown - return to 1985.
Unfortunately the movie Back to the Future is not yet available on Paramount Plus.
| Directing | Robert Zemeckis | Director |
| Sound | Alan Silvestri | Original Music Composer |
| Editing | Harry Keramidas | Editor |
| Art | Lawrence G. Paull | Production Design |
| Editing | Arthur Schmidt | Editor |
| Production | Judy Taylor | Casting |
| Production | Neil Canton | Producer |
| Production | Mike Fenton | Casting |
| Camera | Dean Cundey | Director of Photography |
| Production | Bob Gale | Producer |
| Production | Jane Feinberg | Casting |
| Writing | Robert Zemeckis | Writer |
| Writing | Bob Gale | Writer |
| Production | Steven Spielberg | Executive Producer |
| Costume & Make-Up | Ken Chase | Makeup Artist |
| Production | Frank Marshall | Executive Producer |
| Costume & Make-Up | Deborah L. Scott | Costume Design |
| Production | Kathleen Kennedy | Executive Producer |
| Art | Hal Gausman | Set Decoration |
| Art | Todd Hallowell | Art Direction |
| Costume & Make-Up | Dorothy Byrne | Hairstylist |
| Sound | Robert R. Rutledge | Supervising Sound Editor |
| Camera | Ralph Nelson Jr. | Still Photographer |
| Editing | Barbara Palmer Dixon | Assistant Editor |
| Camera | Raymond Stella | Camera Operator |
| Sound | Bones Howe | Music Supervisor |
| Camera | Clyde E. Bryan | First Assistant Camera |
| Sound | John A. Larsen | Sound Editor |
| Sound | Charles L. Campbell | Supervising Sound Editor |
| Crew | Arthur F. Repola | Post Production Supervisor |
| Costume & Make-Up | Brian Callahan | Costume Supervisor |
| Crew | Walter Scott | Stunt Coordinator |
| Costume & Make-Up | Robert Iannaccone | Costume Supervisor |
| Costume & Make-Up | Julie Starr Dresner | Set Costumer |
| Production | Dennis E. Jones | Unit Production Manager |
| Costume & Make-Up | Elizabeth Rabe | Hairstylist |
| Production | Jack Grossberg | Unit Production Manager |
| Art | Drew Struzan | Other |
| Sound | Alan L. Nineberg | ADR Editor |
| Production | Leanne Moore | Production Accountant |
| Crew | Brad Jeffries | Choreographer |
| Sound | Lawrence Jordan | Assistant Sound Editor |
| Art | Ernest Depew | Construction Coordinator |
| Crew | John Feinblatt | Transportation Coordinator |
| Sound | Takeo Ogawa | Sound Designer |
| Visual Effects | Kevin Pike | Special Effects Supervisor |
| Production | Laurie Vermont | Production Coordinator |
| Art | Tim Stadler | Painter |
| Crew | Gregory Dultz | Driver |
| Lighting | Albert Hood | Electrician |
| Art | Cameron Birnie | Set Designer |
| Crew | Ramon Pahoyo | Craft Service |
| Crew | Bonne Radford | Production Controller |
| Visual Effects | Ellen Lichtwardt Goodchild | Visual Effects |
| Crew | Al Gaynor | Scenic Artist |
| Production | Paul Pav | Location Manager |
| Sound | John Roesch | Foley |
| Sound | William B. Kaplan | Production Sound Mixer |
| Visual Effects | Charlie Mullen | Animation Supervisor |
| Directing | David McGiffert | First Assistant Director |
| Camera | Ronald Woodward | Key Grip |
| Sound | Kenneth Karman | Music Editor |
| Sound | James B. Campbell | Orchestrator |
| Art | Dick Lasley | Production Illustrator |
| Editing | Terry Hager | Color Timer |
| Art | John Zemansky | Property Master |
| Sound | Earl Sampson | Boom Operator |
| Camera | Dic Alexander | Grip |
| Crew | Marsha Robertson | Unit Publicist |
| Costume & Make-Up | Haleen K. Holt | Costume Illustrator |
| Sound | Sonny Pettijohn | Apprentice Sound Editor |
| Costume & Make-Up | Julie Starr Dresner | Key Costumer |
| Camera | Steve Tate | Second Assistant Camera |
| Sound | Alan Silvestri | Conductor |
| Crew | Eric Stoltz | Stunt Driver |
| Crew | Ted Moehnke | Pyrotechnician |
| Production | Warren Franklin | General Manager |
| Art | Joe Pfaltzgraf | Assistant Property Master |
| Sound | Larry Singer | Supervising ADR Editor |
| Production | Robert R. Draney | Assistant Accountant |
| Visual Effects | Donna K. Baker | Rotoscoping Artist |
| Directing | Frank Marshall | Second Unit Director |
| Art | Nina Saxon | Title Designer |
| Lighting | Mark Walthour | Chief Lighting Technician |
| Sound | Darcy Vebber | Utility Sound |
| Sound | Gary A. Hecker | Foley Artist |
| Camera | Ray Gilberti | Assistant Camera |
| Camera | Dan Cooper | Best Boy Grip |
| Production | Rob Stevens | Assistant Production Coordinator |
| Lighting | Thomas Marshall | Assistant Chief Lighting Technician |
| Crew | Steven Spielberg | Presenter |
| Sound | Greg Orloff | Foley Mixer |
| Crew | Charles Croughwell | Stunt Double |
| Editing | Michael Moore | Assistant Editor |
| Camera | Richard Babin | Dolly Grip |
| Editing | Donah Bassett | Negative Cutter |
| Crew | Alexander Xavier Ponce-Bonano | Scientific Consultant |
| Visual Effects | Wes Takahashi | Animation Supervisor |
| Crew | Phillip Norwood | Visual Effects Art Director |
| Crew | Bob Yerkes | Stunts |
| Crew | Per Welinder | Stunts |
| Crew | John-Clay Scott | Stunts |
| Crew | Robert Schmelzer | Stunts |
| Crew | Jimmy Corona Rooney | Stunts |
| Crew | Spiro Razatos | Stunts |
| Crew | Bernie Pock | Stunts |
| Crew | Max Kleven | Stunts |
| Crew | Loren Janes | Stunts |
| Crew | Richard E. Butler | Stunts |
| Sound | Huey Lewis | Songs |
| Directing | Pamela M. Eilerson | Second Assistant Director |
